In college, I would spend more time in the dark-room than I would doing anything else. Graduating was a painful removal from my mad-scientist lab of creative bliss. Along with this transition came the painful switch from developing my own film and the process of creating beautiful images to an impotent digital point-and-click guillotine. I felt like the creative process was gone. I couldn't play with the f-stop, shutter-speed, and was alienated from my final composition.
Then something wonderful happened. It was like a peace treaty between artists and engineers, resulting in amazing and cost-effective applications that allow for the photographer to create once again. The dark-room mechanized, and the chemicals became screen-shots. The creative process was re-born; it was different, but I could finally enhance my photographs the way I wanted to, instead of just seeing the clicked image.
No comments:
Post a Comment